Sabado, Marso 23, 2013

(NARRATOLOGY) The Winner Stands Alone by Paulo Coelho

THEORY
NARRATOLOGY
-It refers to both the theory and the study of narrative and narrative structure and the ways that these affect our perception.
-It looks at what narratives have in common and what makes one different from another.
-It is dedicated to the study of the logic, principles, and practices of narrative representation.


TITLE
THE WINNER STANDS ALONE BY PAULO COELHO


SYNOPSIS
Igor Malev has one thing on his mind - his ex-wife Ewa. He's handsome, rich, and effortlessly personable - but she left him for a successful fashion designer, a sting he's never recovered from. 

So he travels to the glamorous Cannes International Film Festival where they'll be appearing, intent on winning back her love. But Igor is a man of rare intensity and cold intelligence - and this is to be no ordinary reconciliation. For Igor made a promise to destroy whole worlds to get to his beloved. Now, the conflict between an individual evil force and society emerges as the novel unfolds, and as morality is derailed.


ANALYSIS
It's true that we are only living in one world and all of us are just equal. However, reality bites that we, people who are living in this world, made an invisible division between all of us.
I'd say that The Winner Stands Alone is one of my favorite novels of my favorite author, Paulo Coelho. 
I love the way he narrated and revealed the different kind of "sub worlds" we have~ from the entertainment world, world of politics and world of ordinary people who are also aspiring to go to the two worlds of fame (entertainment and politics). 
Actually entertainment and politics may both differ when it comes to how they revolve but the "advantages" and "benefits" it offer is quite the same. On the positive side, they both mean fame, money and power~ exact reason why many people are aspiring to go to these kinds of world. However, negative things were also pointed out. FAME. MONEY. POWER. Too much of it can destroy a person and can even turn him evil. Of course, it's not bad to aspire to become someone good by having these things but we should know our limits when it comes to this.  
I learned alot from this book and this also made me realized different things in different worlds.  
This book definitely deserves a PART 2!
I think the whole content of the story can justify what Narratology is all about.

(LOGOCENTRISM) Zathura

THEORY
LOGOCENTRISM
-It is structuralist method of analysis, especially of literary works, that focuses upon words and language to the exclusion of non-linguistic matters, such as an author's individuality or historical context.
-It is an excessive attention paid to the meanings of words or distinctions in their usage.
-The belief that everything stems from an underlying "source" or "logos".


TITLE
ZATHURA


SYNOPSIS
Brothers Walter (Josh Hutcherson) and Danny (Jonah Bobo) can never seem to get along with each other, or with their older teen-aged sister, Lisa (Kristen Stewart). While staying at their divorced father's home while he is away at work and Lisa is asleep, the boys discover an old clockwork-driven space-themed board game called "Zathura" in the basement. The two begin to play the game, the goal to be the first to reach the final space named Zathura. During each turn, the game provides a card with instructions, but the two quickly realize the cards affect reality. They soon discover the house is floating on a small rock in outer space. Meanwhile, Lisa looks out the window, and believing it is merely dark, goes to shower for her date. When the boys try to warn Lisa about what has happened, they find she is frozen in cryonic sleep as a result of one of the cards. The brother realize that the only way to end the game and hopefully return to Earth is to reach the end space of Zathura.

As they continue to play, avoiding the dangers that the game's cards throw at them, the house comes under attack by a race of aliens called Zorgons. Another card brings aboard a stranded astronaut (Dax Shepard) who goes about eliminating the house's heat sources (during which Walter turns down the house's heating thermostat) and setting a couch on fire and pushing it outside into space to lure the Zorgons' ship away with its heat signature.

As the brothers' tension rises, Walter accuses Danny of cheating by moving a piece prematurely, but when Walter tries to correct it, the game reacts as if Walter was cheating and ejects him out of the house into the vacuum of space, but the Astronaut rescues him. On Walter's next turn, he receives a card that allows him to make a wish, and considers making a wish to make Danny go away. The Astronaut quickly warns him that he and his own brother had played the game years before, and he too had received the same card. He wished his brother away, but this caused him to be stuck in the game forever without a second player. The brothers agree to work together to finish the game quickly.

Lisa wakes from her stasis, and unaware of the current events, turns up the thermostat. This causes the Zorgons to return, anchoring their ships to the house. The four evacuate to the upper floor but realize they have left the game downstairs. Danny uses the house's dumbwaiter to sneak past the aliens and retrieve the game. Danny manages to get the game aboard one of the ships, but is caught by the Zorgons when he attempts to get back on the dumbwaiter. Walter uses a robot previously brought by an earlier turn to attack the Zorgons, and the aliens retreat. As the brothers continue to play the game, Walter receives another wish card; he uses it to bring back the Astronaut's brother, which turns out to be Danny. The Astronaut explains he is an older Walter from an alternate timeline. Danny and Walter touch their counterparts, causing them to disappear.

The Zorgons return to the house with a large fleet, intent on destroying it. Danny makes a final move to land on Zathura; in space, it is revealed that Zathura is a giant black hole that sucks up the Zorgon fleet and the house. The three children then find themselves in the house as it was before they started the game on Earth, just as their father arrives home and their mother comes to pick them up.


ANALYSIS
On this movie, the story gave more focused on the cards used by the two brothers that lead them to Zathura and made them experience the things beyond their imaginations. The card in the story served as the logo or source of the unbelievable things they saw. I think the card is can define how Logocentrism Theory existed on this movie.

(DARWINISM) The Ancestor's Tale: A Pilgrimage to the Dawn of Evolution by Richard Dawkins

THEORY
DARWINISM
-It is a theory of biological evolution developed by Charles Darwin and others, stating that all species of organisms arise and develop through the natural selection of small, inherited variations that increase the individual's ability to compete, survive, and reproduce.
-It designates a distinctive form of evolutionary explanation for the history and diversity of life on earth.


TITLE
THE ANCESTOR'S TALE: A PILGRIMAGE TO THE DAWN OF EVOLUTION 
BY RICHARD DAWKINS


SYNOSPSIS
The narrative is structured as a pilgrimage, with all modern animals following their own path through history to the origin of life. Humans meet their evolutionary cousins at rendezvous points along the way, the points at which the lineage diverged. At each point Dawkins attempts to infer, from molecular and fossil evidence, the probable form of the most recent common ancestor and describes the modern animals that join humanity's growing travelling party. This structure is inspired by Geoffrey Chaucer's The Canterbury Tales.

The pilgrimage visits a total of 40 "rendezvous points" from rendezvous zero, the most recent common ancestor of all of humanity, to rendezvous 39, eubacteria, the ancestor of all surviving organisms. Though Dawkins is confident of the essential shape of this phylogenetic taxonomy, he enters caveats on a small number of branch points where a compelling weight of evidence had not been assembled at the time of writing.

At each rendezvous point, Dawkins recounts interesting tales concerning the cousin animals which are about to join the band of pilgrims. Every newly recruited species, genus or family has its own peculiar features, often ones that are relevant to human anatomy or otherwise interesting for humans. For instance, Dawkins discusses why the axolotl never needs to grow up, how newspecies come about, how hard it is to classify animals, and why our fish-like ancestors moved to the land. These peculiar features are studied and analyzed using a newly introduced tool or method from evolutionary biology, carefully woven into a tale to illustrate how the Darwinian theory of evolution explains all diversity in nature.


ANALYSIS
Dawkins didn't give a normal story of evolution but he took a journey backward, from the present time way back to the past to trace our ancestors. He believes that there's a strong need for us to be put in evolutionary perspectives as a humankind and there's got to be real progress as time passes by.
Reading this book is like reading an encyclopedia. It is not intended to convince everyone that evolution is existing yet it assumes that it really exists.
 The fact that the books is about a "reverse" evolution is an exact reason why this falls to Darwinism Theory of Literary Criticism.

(MYTHOLOGICAL/ ARCHETYPAL) The Dark Night

THEORY
MYTHOLOGICAL/ ARCHETYPAL
-It is a type of critical theory that interprets a text by focusing on recurring myths and archetypes in the narrative, symbols, images, and character types in a literary work.


TITLE
THE DARK NIGHT


SYNOPSIS
In Gotham City, The Joker and his accomplices rob a mob-owned bank. The accomplices kill each other off one by one in a sequence masterminded by the Joker, who escapes alone with all the money.

Batman and Lt. Jim Gordon decide to include the new district attorney, Harvey Dent, in their plan to eradicate the mob. Although Dent is dating Rachel Dawes, Bruce Wayne is impressed with his idealism and offers to throw him a fundraiser. Mob bosses Sal Maroni, Gambol, and The Chechen hold a videoconference with Lau, a Chinese accountant who has hidden their funds and fled to Hong Kong. The Joker interrupts the meeting, warning that Batman is unhindered by jurisdiction. He offers to kill Batman for half their money, but the mob bosses refuse, and Gambol puts a bounty on him. The Joker kills Gambol and takes control of his men. Batman captures Lau and delivers him back to Gotham to testify against the Joker and the mob.

The Joker announces that people will die each day unless Batman reveals his identity. He then kills Commissioner Gillian B. Loeb and the judge presiding over the mob trials. He also targets Dent at the fundraiser, but Bruce hides Dent. Gordon foils the Joker's assassination attempt on Mayor Garcia, apparently sacrificing himself in the process. Bruce plans to reveal his identity, but Dent instead names himself as Batman to protect the truth. Dent is taken into protective custody and pursued by the Joker across the city; Batman rushes to Dent's aid. Gordon, who faked his death, helps apprehend the Joker and is promoted to Commissioner.

That night, Dent and Rachel disappear. Batman interrogates the Joker and discovers that Dent and Rachel are held in two separate buildings filled with explosives. The Joker reveals their locations, and Batman goes to Rachel's, only to realize that the Joker has tricked him into finding Dent moments before both buildings explode, killing Rachel and scarring half of Dent's face. The Joker detonates a bomb in the police station and escapes with Lau.

Coleman Reese, an accountant at Wayne Enterprises, deduces Batman's true identity and plans to reveal it. The Joker kills Lau and The Chechen, then threatens to bomb a hospital unless Reese is killed. Gordon and Bruce protect Reese, who changes his mind. The Joker visits Dent in the hospital and convinces him to seek revenge. The Joker then blows up the hospital and escapes with hostages.

Dent starts to go after people responsible for Rachel's death, deciding their fates by flipping a coin. He kills Maroni and a cop who had helped kidnap Rachel. It is revealed that the Joker rigged two ferries with explosives to escalate chaos; one ferry is full of citizens, the other full of prison inmates and guards. He then gives the passengers of each ferry the choice to blow the other up before midnight — otherwise, both ferries will explode. The passengers ultimately refuse.

Batman asks a reluctant Lucius Fox to use a city-wide tracking prototype device to find the Joker; Fox agrees, but says he will resign immediately afterward. The Joker dresses up hostages as his men, luring Gordon's SWAT team to strike them. Batman fights off the SWAT team and the Joker's men, then rescues the hostages. Batman apprehends the Joker, but the Joker gloats that he has won, as Gotham will lose hope once Dent's rampage becomes public. The SWAT team arrives to take the Joker into custody.

Dent lures Gordon to the building where Rachel died and holds Gordon's family hostage. Batman confronts Dent, who judges the fates of himself, Batman, and Gordon's son with three coin flips. He shoots Batman, spares himself, then flips again to determine the boy's fate. Batman, who is wearing body armor, tackles Dent off the building, killing him and saving the boy. Batman then convinces Gordon to frame him for the murders so that Dent will remain a symbol of hope for the city. Gordon destroys the Bat-Signal and launches a manhunt for the Batman. Alfred Pennyworth burns a letter written by Rachel to Bruce announcing her engagement to Dent, and Fox watches the signal tracker self-destruct.


ANALYSIS
Heroes can't always be strong and brave. They got to have obstacle and challenges that could help them grow and become the best that they can be. 
On this movie,the main character is just a simple person yet occasional situations can turn him into a hero.

Given these situations, I think this movie provides specific example of Archetypes as well as Mythology.

(GENRE CRITICISM) Eleven Minutes by Paulo Coelho

THEORY
GENRE CRITICISM
-Genre criticism is a method within rhetorical criticism for analysing speeches and writing according to the symbolic artifacts they contain.
-It is a critical approach, doctrine, or technique that emphasizes, in evaluating a work, the genre or medium in which it can be placed rather than seeing it entirely as an autonomous entity.


TITLE
ELEVEN MINUTES BY PAULO COELHO


SYNOPSIS
Maria, a young girl from a remote village of Brazil, with innocent brushes with love failures at an early adolescent stage and hatred for love goes to seek her fortune in Switzerland, only to find that reality is a lot harder than she expected. After working in a nightclub as a samba dancer for a brief period, she realizes that this is not what she wants. After a heated discussion with her manager one night, she storms out and begins to look for a career in modeling. After a long unsuccessful search for a position in that field, and as she starts running out of money, she engages herself for 1000 francs for "one night" with an Arab man. Delighted with the easy money and after compromising with her soul she lands in a brothel on Rue de Berne, the heart of Geneva's red-light district...

There she befriends Nyah who gives her advice on her "new profession" and after learning the tricks of the trade from Milan, the brothel owner, she enters the job with her body and mind shutting all doors for love and keeps her heart open only for her diary. Quickly she becomes quite successful and famous and her colleagues begin to envy her. Months pass and Maria grows into a professionally groomed prostitute who not only relaxes her clients' mind, but also calms their soul by talking to them about their problems.

Her world turns upside down when she meets Ralf, a young Swiss painter, who sees her "inner light". Maria falls in love with him immediately and begins to experience what true love is (according to the author, it is a sense of being for someone without actually possessing him/her). Maria is now torn between her sexual fantasies and true love for Ralf. Eventually she decides that it is time for her to leave Geneva with her memory of Ralf, because she realizes that they are worlds apart. But before leaving, she decides to rekindle the dead sexual fire in Ralf and learns from him about the nature of Sacred Sex, sex which is mingled with true love and which involves the giving up of one's soul for the loved one.

This book explores the sacred nature of sex. "Eleven minutes" describes the duration of sex. Also, it depicts two types of prostitution: prostitution for money and sacred prostitution. There are also direct references to sadomasochism.

The story is of Maria's journey to find what true love is by letting her own life guide her. She enters a life that leads her down the path of sexual awakening and almost leads to her self-destruction when she is introduced to all sides of sexual experience. When she has given up hope to find true love, she finds her true "inner light" and her everlasting true love.


ANALYSIS
Perhaps other people would mistakenly think that this book is merely about sex and prostitution just by knowing why it's entitled Eleven Minutes. So why is that so?
It is allegedly entitled Eleven Minutes because it's the duration of sex, and the main character here is a prostitute.
However, it's also been mentioned that Maria is in search of true love, therefore, this falls to romance.
Using the Genre Criticism, the book proved that there's no thing that can't be done in the name of love. Because for true love, everything is worth it. Just like what Ralf did to Maria. 
He accepted her wholeheartedly despite of her dark past. It doesn't matter what she is and where she's from. The only thing that matters is who she is that made him fall in love with her.
Love doesn't require anything. It's only the feeling that is the most important. 
A feeling for love that is real and genuine.

(CULTURAL STUDIES) Race Matters by Cornel West

THEORY
CULTURAL STUDIES
-It is an interdisciplinary method of studying the social power encrypted in texts, poetry, advertising images and even in actor's faces.
-It involve the use of all the methods of literary criticism.
-A primary goal of this type of criticism is to understand the nature of social power reflected within the text. Thus, a critic might explore the psychological, moral and political assumptions presumed in a given piece, and then deconstruct them to see what benefits individuals and social classes might gain from having these interpretations perceived as being true.


TITLE
RACE MATTERS BY CORNEL WEST


SYNOPSIS
Cornel West is at the forefront of thinking about race. In Race Matters, he addresses a range of issues, from the crisis in black leadership and the myths surrounding black sexuality to affirmative action, the new black conservatism, and the strained relations between Jews and African Americans. He never hesitates to confront the prejudices of all his readers or wavers in his insistence that they share a common destiny. Bold in its thought and written with a redemptive passion grounded in the tradition of the African-American church, Race Matters is a book that is at once challenging and deeply healing. 


ANALYSIS
I can relate this book in Cultural Studies the way  Cornel West covers a lot of topics that affect African-American in terms of American culture. 
He has concerns in black community~from the discrimination and despair to the crisis of leadership. 
It is a book that must be read especially by white Americans. 
It deserves to have a review to see the progress that is going on the race-relations in America from the past until now. Although it was published years ago, it is still very relevant and essential as it talks about racism and how it affects all of us.

(NEOCLASSICISM) Italian Journey by Johann Wolfgang von Goethe

THEORY
NEOCLASSICISM
- It represented a reaction against the optimistic, exuberant, and enthusiastic Renaissance view of man as a being fundamentally good and possessed of an infinite potential for spiritual and intellectual growth.
-It usually connotes narrower attitudes that are at once literary and social: a worldly-wise tempering of enthusiasm, a fondness for proved ways, a gentlemanly sense of propriety and balance.


TITLE
ITALIAN JOURNEY BY JOHANN WOLFGANG VON GOETHE



SYNOPSIS/ CONTENT
"We are all pilgrims who seek Italy", Goethe wrote in a poem two years after his return to Germany from his almost two-year spell in the land he had long dreamed of. For Goethe, Italy was the warm passionate south as opposed to the dank cautious north; the place where the classical past was still alive, although in ruins; a sequence of landscapes, colours, trees, manners, cities, monuments he had so far seen only in his writing. He described himself as "the mortal enemy of mere words" or what he also called "empty names". He needed to fill the names with meaning and, as he rather strangely put it, "to discover myself in the objects I see", literally "to learn to know myself by or through the objects". He also writes of his old habit of "clinging to the objects", which pays off in the new location. He wanted to know that what he thought might be paradise actually existed, even if it wasn't entirely paradise, and even if he didn't in the end want to stay there.

While in Italy, Goethe aspired to witness and to breathe the conditions and milieu of a once highly — and in certain respects still — cultured area endowed with many significant works of art. Apart from the impetus to study the Mediterranean's natural qualities, he was first and foremost interested in the remains of classical antiquity and in contemporary art. During his stay in Assisi, he did not visit the famous Giotto frescoes in the Basilica of San Francesco d'Assisi, but only visited the Church of Santa Maria sopra Minerva, a converted Roman temple there. Many critics have questioned this strange choice. In Verona, where he enthusiastically commends the harmony and fine proportions of the city amphitheater; he asserts this is the first true piece of Classical art he has witnessed. Venice, too, holds treasures for his artistic education, and he soon becomes fascinated by the Italian style of living. After a very short stop in Florence, he arrives in Rome. It was here that he met several respected German artists, and made friends with Johann Heinrich Wilhelm Tischbein and notable Neoclassical painter, Angelica Kauffmann. Tischbein painted one of the most famous portraits of Goethe, Goethe in the Roman Campagna, and accompanied him to Naples. During the journey, the two later separated due to their "incompatible" interests. After leaving Rome and entering Palermo, Goethe searched for what he called "Urpflanze", a plant that would be the archetype of all plants.

In his journal, Goethe shows a marked interest in the geology of Europe's southern regions. He demonstrates a depth and breadth of knowledge in each subject. Most frequently, he pens descriptions of mineral and rock samples that he retrieves from the mountains, crags, and riverbeds of Italy. He also undertakes several dangerous hikes to the summit of Mount Vesuvius, where he catalogues the nature and qualities of various lava flows and tephra. He is similarly adept at recognizing species of plant and flora, which stimulate thought and research into his botanical theories.

While more credibility can be attributed to his scientific investigations, Goethe maintains a thoughtful and admiring interest in art. Using Palladio and Johann Joachim Winkelmann as touchstones for his artistic growth, Goethe expands his scope of thought in regards to Classical concepts of beauty and the characteristics of good architecture. Indeed, in his letters he periodically comments on the growth and good that Rome has caused in him. The profusion of high-quality objects of art proves critical in his transformation during these two years away from his hometown in Germany.


ANALYSIS
Goethe spent more time reviewing his art works rather than talking about his travel on this book. However, I can still say that this is a very informative and enjoyable book of quest that is full of wonderful observations about history and art.
I guess that's enough reason to classify this under Neoclassicism because it justified what it all takes for a literary piece to become Neoclassical.

(MODERNISM) Man With a Movie Camera by Vertov

THEORY
MODERNISM
-It is an emphasis on impressionism and subjectivity in writing (and in visual arts as well); an emphasis on HOW seeing (or reading or perception itself) takes place, rather than on WHAT is perceived. An example of this would be stream-of-consciousness writing.
-It is a rejection of the distinction between "high" and "low" or popular culture, both in choice of materials used to produce art and in methods of displaying, distributing, and consuming art.


TITLE
MAN WITH A MOVIE CAMERA BY VERTOV




SYNOPSIS
The Man with the Movie Camera is an experimental 1929 silent documentary film, with no story and no actors, by Russian director Dziga Vertov, edited by his wife Elizaveta Svilova who helped with the process of deleting and adding new frames into the film.
Vertov’s feature film, produced by the Ukrainian film studio VUFKU, presents urban life in Odessa and other Soviet cities. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have “characters,” they are the cameraman of the title and the modern Soviet Union he discovers and presents in the film.
This film is famous for the range of cinematic techniques Vertov invents, deploys or develops, such as double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, footage played backwards, stop motion animations and a self-reflexive style


ANALYSIS
Man With A Movie Camera may be considered as one of the most influential films. It is very experimental and has reflexive nature. 
It presents itself as a representation of reality by showing the happenings behind the scene of the documentary. It's like a sense of discovery as Vertov and his team explore the world!
By watching the film, you would perfectly understand what Modernism Theory is all about.

(ECO-CRITICISM) 2012, Movie

THEORY
ECO-CRITICISM
-It is the study of literature and environment from an interdisciplinary point of view where all sciences come together to analyze the environment and brainstorm possible solutions for the correction of the contemporary environmental situation.
-It is the study of the relationship between literature and the physical environment.
-Just as feminist criticism examines language and literature from a gender-conscious perspective, and Marxist criticism brings an awareness of modes of production and economic class to its reading of texts, ecocriticism takes an earth-centered approach to literary studies.


TITLE
2012, MOVIE


SYNOPSIS
In 2009, Adrian Helmsley, an American geologist, visits astrophysicist Dr. Satnam Tsurutani in India and learns that neutrinos from a massive solar flare are causing the temperature of the Earth's core to increase rapidly. Adrian reports to White House Chief of Staff Carl Anheuser, who takes Adrian to meet the President of the United States.

In 2010, President Thomas Wilson and other international leaders begin a secret project to ensure humanity's survival. More than 400,000 people are chosen to board "arks" that are constructed at Cho Ming, Tibet, in the southwest Chinese Himalayas under the guise of building a dam. A Buddhist monk named Nima is evacuated while his brother Tenzin joins the workers in the Ark project. Additional funding for the project is raised by selling tickets to the private sector for €1 billion per person. By 2011, humanity's treasures are moved to the Alps under the guise of protecting them from terrorist attacks with the help of art expert and First Daughter Dr. Laura Wilson.

In 2012, Jackson Curtis is a science fiction writer in Los Angeles who works part-time as a limousine driver for the Russian billionaire, Yuri Karpov. Jackson's ex-wife Kate, and their children Noah and Lilly, live with Kate's boyfriend, plastic surgeon Gordon Silberman.

Jackson takes Noah and Lilly camping in Yellowstone National Park. After an encounter with Helmsley, they meet Charlie Frost, who hosts a radio show from the park. Charlie plays a video of Charles Hapgood's theory that polar shifts and the Mesoamerican Long Count Calendar predict that the 2012 phenomenon will occur. He has a map of the ark project in addition to information about officials and scientists from around the world who were murdered because they wanted to reveal the truth to the public. The family returns home asseismic activity increases along the San Andreas Fault. Jackson grows suspicious and rents a Cessna 340 to rescue his family. He collects his family and Gordon as the Earth crust displacement begins with a magnitude 10.9 earthquake, and they narrowly escape Los Angeles as California collapses into the Pacific Ocean.

As several hundred million die in catastrophic earthquakes and tsunamis worldwide, the group flies to Yellowstone to retrieve Charlie's map, escaping as the Yellowstone Caldera erupts. Charlie stays behind to broadcast the eruption and is killed. Learning that the arks are in China, the group lands in a devastated Las Vegas to find a larger plane. They run into Yuri, his twin sons Alec and Oleg, girlfriend Tamara and pilot Sasha. The group secures an Antonov An-500 aircraft and they depart for China as the Yellowstone ash cloud engulfs the city. Anheuser, Helmsley and Laura Wilson are aboard Air Force One, also heading to the arks. President Wilson remains in Washington D.C. to address the nation one last time. With the Vice President dead and the Speaker of the House missing, Anheuser assumes de facto leadership.While the ash cloud engulfs Washington. Earthquakes strike Washington, Japan and Rome. President Wilson is killed by a megatsunami that sends the aircraft carrier USS John F. Kennedy crashing into the White House.

Arriving in China in a crash landing that kills Sasha, the group is spotted by helicopters from the Chinese army, carrying animals for the Arks. Yuri and his sons, possessing tickets, are taken to the arks, leaving Tamara and the others behind. They are picked up by Nima and are taken to the arks with his grandparents. They stow away on Ark 4, where the contingent of the United States is on board, with the help of Tenzin. As a megatsunami approaches the site, an impact driver becomes lodged in the gears of the ark's hydraulic doors, preventing a boarding gate from closing and preventing the ship from starting its engines. In the ensuing chaos, Yuri, Gordon and Tamara are killed. Tenzin is wounded by the hydraulics, and Ark 4 is set adrift. Jackson and Noah dislodge the impact driver and the crew regains control of the ark before it collides with Mount Everest.

After flood waters from the tsunamis recede, the arks travel to the Cape of Good Hope in South Africa, where the African continent has risen in elevation. Jackson rejoins with his family, and Helmsley starts a relationship with Laura.


ANALYSIS
In connection to the Eco Criticism Theory,
2012 movie is indeed an intense and violent movie about natural disasters that may occur on our planet if we continue to take it for granted. 
It's undeniable that we are now living in a modern world where everything can be instantly done with the use of science and technology. We enjoy the advantages of the innovations yet we ignore the disadvantages it brings. The more we continue to discover new things, the more we destroy our planet. Reality bites it.

(MORAL CRITICISM) Someday, Maybe by Elizabeth Scott

THEORY
MORAL CRITICISM
-The term “moral criticism” has sometimes been applied to a tendency in modern anglophone Literary CRITICISM since Arnold , and particularly to the positions of such critics as F.R. Leavis and Lionel Trilling . Distinguishing these critical positions from various kinds of Formalism , it indicates the prominence of moral and ethical vocabularies in their terms of judgment: maturity, sincerity, honesty, sensitivity, or courage become important criteria in the valuation of literary and other works.


TITLE
SOMEDAY, MAYBE BY ELIZABETH SCOTT


SYNOPSIS
Everyone thinks their parents are embarrassing, but Hannah knows she's got them all beat. Her dad made a fortune showcasing photos of pretty girls and his party lifestyle all over the Internet, and her mom was once one of her dad's girlfriends and is now the star of her own website. After getting the wrong kind of attention for way too long, Hannah has mastered the art of staying under the radar...
and that's just how she likes it.

Of course, that doesn't help her get noticed by her crush. Hannah's sure that gorgeous, sensitive Josh is her soul mate. But trying to get him to notice her; wondering why she suddenly can't stop thinking about another guy, Finn; and dealing with her parents make Hannah feel like she's going crazy. Yet she's determined to make things work out the way she wants -- only what she wants may not be what she needs....Once again, Elizabeth Scott has created a world so painfully funny and a cast of characters so heartbreakingly real that you'll love being a part of it from unexpected start to triumphant finish.


ANALYSIS
The title of the book sounds catchy for me and it became even more interesting when I read the summary. 
Every character seems crazy and non normal but  I believe that each of them symbolizes something and all of them definitely have something that we could learn from.
The story is very fun to read and I just can't get over it!
On the other, I believe that this book falls under Moral Criticism because of the real life issues tackled that give moral lessons.

(POST MODERNISM) Foucault's Pendulum by Umberto Eco

THEORY
POST MODERNISM
-It is largely a reaction to the assumed certainty of scientific, or objective, efforts to explain reality. 
-In essence, it stems from a recognition that reality is not simply mirrored in human understanding of it, but rather, is constructed as the mind tries to understand its own particular and personal reality.
-Postmodernism is "post" because it is denies the existence of any ultimate principles, and it lacks the optimism of there being a scientific, philosophical, or religious truth which will explain everything for everybody - a characteristic of the so-called "modern" mind.


TITLE
FOUCAULT'S PENDULUM BY UMBERTO ECO


SYNOPSIS
After reading too many manuscripts about occult conspiracy theories, three vanity publisher employees (Belbo, Diotallevi and Casaubon) invent their own conspiracy for fun. They call this satirical intellectual game "The Plan". The three become increasingly obsessed with The Plan, and sometimes forget that it's just a game. Worse still, other conspiracy theorists learn about The Plan, and take it seriously. Belbo finds himself the target of a real secret society that believes he possesses the key to the lost treasure of the Knights Templar.

The book opens with the narrator, Casaubon (his name refers to classical scholar Isaac Casaubon, and also evokes a scholar character in George Eliot's Middlemarch) hiding in fear after closing time in the Parisian technical museum Musée des Arts et Métiers. He believes that members of a secret society have kidnapped Belbo and are now after him. Most of the novel is then told in flashback as Casaubon waits in the museum.

Casaubon had been a student in 1970s Milan, working on a thesis on the history of the Knights Templar while taking in the revolutionary and counter-revolutionary activities of the students around him. During this period he meets Belbo, who works as an editor in a publishing house. Belbo invites Casaubon to review the manuscript of a supposedly non-fiction book about the Templars. Casaubon also meets Belbo's colleague Diotallevi, a cabalist.

The book, by a Colonel Ardenti, claims a hidden coded manuscript has revealed a secret plan of the medieval Templars to take over the world. This supposed conspiracy is meant as revenge for the deaths of the Templar leaders when their order was disbanded by the King of France. Ardenti postulates that the Templars were the guardians of a secret treasure, perhaps the Holy Grail of legend, which he suspects was a radioactive energy source.

According to Ardenti's theory, after the French monarchy and the Catholic Church disbanded the Templars on the grounds of heresy, some knights escaped and established cells throughout the world. These cells have been meeting at regular intervals in distinct places to pass on information about the Grail. Ultimately, these cells will reunite to rediscover the Grail's location and achieve world domination. According to Ardenti's calculations, the Templars should have taken over the world in 1944; evidently the plan has been interrupted.

Ardenti mysteriously vanishes after meeting with Belbo and Casaubon to discuss his book. A police inspector, De Angelis, interviews both men. He hints that his job as a political department investigator leads him to investigate not only revolutionaries but also people who claim to be linked to the Occult.

Casaubon has a romance with a Brazilian woman named Amparo. He leaves Italy to follow her and spends a few years in Brazil. While living there, he learns about South American and Caribbean spiritualism, and meets Agliè, an elderly man who implies that he is the mystical Comte de Saint-Germain. Agliè has a seemingly infinite supply of knowledge about things concerning the Occult. While in Brazil, Casaubon receives a letter from Belbo about attending a meeting of occultists. At the meeting Belbo was reminded of the Colonel's conspiracy theory by the words of a young woman who was apparently in a trance. Casaubon and Amparo also attend an occult event in Brazil, an Umbanda rite. During the ritual Amparo falls into a trance herself, an experience she finds deeply disturbing and embarrassing, as she is Marxist by ideology and as such disbelieves and shuns spiritual and religious experiences. Her relationship with Casaubon falls apart, and he returns to Italy.

On his return to Milan, Casaubon begins working as a freelance researcher. At the library he meets a woman named Lia; the two fall in love and eventually have a child together. Meanwhile, Casaubon is hired by Belbo's boss, Mr. Garamond (his name refers to French publisher Claude Garamond), to research illustrations for a history of metals the company is preparing. Casaubon learns that as well as the respectable Garamond publishing house, Mr. Garamond also owns Manuzio, a vanity publisher that charges incompetent authors large sums of money to print their work (rendered "Manutius" in the English translation, a reference to the 15th century printer Aldus Manutius).

Mr. Garamond soon has the idea to begin two lines of occult books: one intended for serious publication by Garamond; the other, Isis Unveiled (a reference to the theosophical text by Blavatsky), to be published by Manutius in order to attract more vanity authors.

Belbo, Diotallevi and Casaubon quickly become submerged in occult manuscripts that draw all sorts of flimsy connections between historical events. They nickname the authors the "Diabolicals", and engage Agliè as a specialist reader.

The three editors start to develop their own conspiracy theory, "The Plan", as part satire and part intellectual game. Starting from Ardenti's "secret manuscript", they develop an intricate web of mystical connections. They also make use of Belbo's small personal computer, which he has nicknamed Abulafia. Belbo mainly uses Abulafia for his personal writings (the novel contains many excerpts of these, discovered by Casaubon as he goes through Abulafia's files), but it came equipped with a small program that can rearrange text in random. (Compare with the game of Dissociated Press and Ramon Llull's Ars Magna.) They use this program to create the "connections" which inspire their Plan. They enter randomly selected words from the Diabolicals' manuscripts, logical operators ("What follows is not true", "If", "Then", etc.), truisms (such as "The Templars have something to do with everything") and "neutral data" (such as "Minnie Mouse is Mickey Mouse's fiancée") and use Abulafia to create new text.

Their first attempt ends up recreating (after a liberal interpretation of the results) the Mary Magdalene conspiracy theory central to The Holy Blood and the Holy Grail. Casaubon jokingly suggests that to create something truly new Belbo must look for occult connections in non-obvious contexts, such as by linking the Kabbalah to a car's spark plugs. (Belbo actually does this, and after some research concludes that the powertrain is a metaphor for the Tree of life.) Pleased with the results of the random text program, the three continue resorting to Abulafia whenever they reach a dead-end with their game.

"The Plan" evolves slowly, but the final version involves the Knights Templar's coming into possession of an ancient secret knowledge of energy flows called telluric currents during the Crusades. The original Knights Templar organization is destroyed after the execution ofJacques de Molay, but the members split into independent cells located in several corners of Europe and the Middle East. As in Ardenti's original theory, each cell is given part of the Templar "Plan" and information about the secret discovery. They are to meet periodically at different locations to share sections of the Plan, gradually reconstructing the original. Then they will reunite and take over the world using the power of the telluric currents. The crucial instruments involved in their plan are a special map and the Foucault pendulum.

While the Plan is far-fetched, the editors become increasingly involved in their game. They even begin to think that there might really be a secret conspiracy after all. Ardenti's disappearance, and his original "coded manuscript", seem to have no other explanation.

However, when Casaubon's girlfriend Lia asks to see the coded manuscript, she comes up with a mundane interpretation. She suggests that the document is simply a delivery list, and encourages Casaubon to abandon the game as she fears it is having a negative effect on him.

When Diotallevi is diagnosed with cancer, he attributes this to his participation in The Plan. He feels that the disease is a divine punishment for involving himself in mysteries he should have left alone and creating a game that mocked something larger than them all. Belbo meanwhile retreats even farther into the Plan to avoid confronting problems in his personal life.

The three had sent Agliè their chronology of secret societies in the Plan, pretending it was not their own work but rather a manuscript they had been presented with. Their list includes historic organizations such as the Templars, Rosicrucians, Paulicians andSynarchists, but they also invent a fictional secret society called the Tres (Templi Resurgentes Equites Synarchici, Latin for the nonsensical "Synarchic Knights of Templar Rebirth"). The Tres is introduced to trick Agliè. Upon reading the list, he claims not to have heard of the Tres before. (The word was first mentioned to Casaubon by the policeman De Angelis. De Angelis had asked Casaubon if he has ever heard of the Tres.)

Belbo goes to Agliè privately and describes The Plan to him as though it were the result of serious research. He also claims to be in possession of the secret Templar map. Agliè becomes frustrated with Belbo's refusal to let him see this (non-existent) map. He frames Belbo as a terrorist suspect in order to force him to come to Paris. Agliè has cast himself as the head of a secret spiritual brotherhood, which includes Mr. Garamond, Colonel Ardenti and many of the Diabolical authors. Belbo tries to get help from De Angelis, but he has just transferred to Sardinia after an attempted car bombing, and refuses to get involved.

Casaubon receives a call for help; he goes to Belbo's apartment, and reads all the documents that Belbo stored in his computer, then decides to follow Belbo to Paris himself. He decides that Agliè and his associates must intend to meet at the museum where Foucault's Pendulum is housed, as Belbo had claimed that the Templar map had to be used in conjunction with the pendulum. Casaubon hides in the museum, where he was when the novel opened.

At the appointed hour, a group of people gather around the pendulum for an arcane ritual. Casaubon sees several ectoplasmic forms appear, one of which claims to be the real Comte de Saint-Germain and discredits Agliè in front of his followers. Belbo is then brought out to be questioned.

Agliè's group are, or have deluded themselves to be, the Tres society in the Plan. Angry that Belbo knows more about The Plan than they do, they try to force him to reveal the secrets he knows, even going so far as to try to coerce him using Lorenza. Refusing to satisfy them or reveal that the Plan was a nonsensical concoction, his refusal incites a riot during which Lorenza is stabbed and Belbo is hanged by wire connected to Foucault's Pendulum. (The act of his hanging actually changes the act of the pendulum, causing it to oscillate from his neck instead of the fixed point above him, ruining any chance of displaying any correct location the Tres meant to find.)

Casaubon escapes the museum through the Paris sewers, eventually fleeing to the countryside villa where Belbo had grown up. It is unclear by this point how reliable a narrator Casaubon has been, and to what extent he has been inventing, or deceived by, conspiracy theories. Casaubon soon learns that Diotallevi succumbed to his cancer at midnight on St. John’s Eve, coincidentally the same time Belbo died. The novel ends with Casaubon meditating on the events of the book, apparently resigned to the (possibly delusional) idea that the Tres will capture him soon. And when they do, he will follow Belbo's lead, refusing to give them any clues, refusing to create a lie. While waiting, holed up in a farmhouse where Belbo lived years before, he finds an old manuscript by Belbo, a sort of diary. He discovers that Belbo had a mystical experience at the age of twelve, in which he perceived ultimate meaning beyond signs and semiotics. He realizes that much of Belbo's behavior and possibly his creation of the Plan and even his death was inspired by Belbo's desire to recapture that lost meaning.


ANALYSIS
Foucault's Pendulum is very difficult to read. You need patience but it's definitely worth the wait.
The Post Modernism Theory was wrapped up in one mystery of the history as it showcase the absurdity of over thinking and analyzing of things.
This book got what it all takes~a mystery book to be called!
This is absolutely one of the best books ever written!